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Real and Imagined Worlds

Real and Imagined Worlds

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Claude McKay (1890-1948) was a versatile Jamaican American writer and poet and a central figure in the Harlem Renaissance. In addition to two autobiographies and a documentary study of Harlem, McKay wrote poetry, novels ( Home to Harlem, Banana Bottom, Banjo, Harlem Glory, Amiable with Big Teeth—the latter portraying a dystopia that foreshadows Orwell), the short story collection Gingertown, and a screenplay disguised as a novel, Romance in Marseille. McKay was deeply influenced by various literary and artistic sources that shaped his poetry and prose. As an artist, he saw himself as a \

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Claude McKay (1890-1948) was a versatile Jamaican American writer and poet and a central figure in the Harlem Renaissance. In addition to two autobiographies and a documentary study of Harlem, McKay wrote poetry, novels ( Home to Harlem, Banana Bottom, Banjo, Harlem Glory, Amiable with Big Teeth—the latter portraying a dystopia that foreshadows Orwell), the short story collection Gingertown, and a screenplay disguised as a novel, Romance in Marseille.

McKay was deeply influenced by various literary and artistic sources that shaped his poetry and prose. As an artist, he saw himself as a \

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